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Marianna Fekete

Blues
Blues
Ozon Blue
Ozon Blue
Lutte
Lutte
Intersideral
Intersideral
Matinee
Matinee
Deauville
Deauville
Nadir
Nadir
Casper
Casper
Jour Sideral
Jour Sideral
Interior
Interior
Touareg
Touareg
Musee Brun
Musee Brun

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Artist Information:
Name   : Marianna Fekete
Location: Paris  
  France
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Marianna Fekete

Biography
Marianna Fekete
I was born in Pecs (Hungary)
I live and work in Paris since 1988. Expositions
1981 Club of the Young Artists Hungary
1983 Club of the Young Artists Hungary
1984 Gallery Duna Budapest Hungary
1992 Gallery du Haut Pave Paris France
1994 House of Artists-Hungary
1994 IV Art Expo Budapest Hungary
1996 Hungarian Institute Paris France
1997 French Institute Budapest Hungary
1997 Salle de la Legion d'Honneur-Saint-Denis France
1998 Traits d'union-La Galerie du Haut Pave Paris France
1999 Museum of Art and History-Saint-Denis France
2000 Salle de la Legion d'Honneur Saint-Denis France
2002 La Galerie Villa des Tourelles Nanterre France
2002 Kunsthaus am Friesenpark Delmenhorst Germany
2002 Salon MAC2000
2003 Galerie Dun gBui collective exposition Paris
2003 Galerie Art'9 solo exposition Paris
2003 Voeux d'Artistes galerie La Tour des Cardinaux Marseille
2004 Galerie Art'9 12 mois 12 artistes collective exposition Paris
2005 Le Centre Etoile Saint-Honore Paris
2005 Galerie La Girafe Bruxelles
Artworks in Public Collections
Museum of Modern Art-Paks
 
Statement
Most of the time I paint while listening to contemporary music of a repetitive nature. This background music has an undeniably dynamic effect upon me and my creativity.
The relationship between music and painting is all the clearer because we call into play rhythms, vibrations, different tonalities, elements of form and matter which may find a reference in creating structure within space.
As music evolves in time, and as I must work within two dimensions, and as I must make choices in dividing the field of vision in creating rhythms which I find the most appropriate at the optimal moment ...
But it is sometimes insufficient, and I am compelled to seek out extensions in the form of diptychs and triptychs to improve the portrayal of infinite continuity and movement, etc..
 
Exhibitions
 

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